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Contact: fiona.veikkanen@gmail.com
Showing posts with label wool. Show all posts
Showing posts with label wool. Show all posts

Friday, December 9, 2011

Crochet Old Hat

It’s funny the way the more I read the more I realize that discussions about craft in art have been going on for a long time now. Debate around this topic is apparently ‘old hat’ as one writer called it. Fair enough guys, I’ll try to keep up. But rather than me debating wether or not craft belongs (because it surely does) I wondered what kind of things does craft do?

Lately I've been looking at a lot of artists who use sewing, crochet, knitting and other crafty pursuits- some are entirely boring, others utterly incredible.

Three artists who have stood out to me are Megan Hason-KnarhoiJoana Vasconcelos and Julie Monro-Allison. This led me to wondering what it actually is that make them a cut above other artists who are also making art out of pompoms, crochet and French knit?

Although each of these artists pursue really different themes, they each captivated me by allowing the same material-wool- to clearly communicate their own ideas.

Religion and it’s too often separation from reality is a focus in the crochet artwork of Hason-Knarhoi.
Megan Hason- Knarhoi. Jesus Spells, 2011.
Jesus Spells (detail), 2011.
Jesus Spells (detail), 2011.
Vasconcelos frequently responds to the specific people and architectural places she finds herself.
Joana Vasconcelos Blup, 2002.
Valquira Enxoval, 2009.

Monro-Allison wonders about the fictional possibilities of stars and space imagining wild new constellations and brilliant outer space encounters.
 Julie Monro-Allison. Constellation, 2010.
Constellation (detail) 2010.

These artists use craft techniques and the associated context of these homely pastimes as a soft and familiar packaging to communicate ideas. Padded in cushy craftiness, the art is not merely about the craft. To make art only about craft is boring and tired. In fact, isn’t that just called craft?  These artists are passionate about exploring and communicating ideas, and in these cases it is craft techniques that do this the most effectively.  
This makes me think that the potential of craft within contemporary art is massive. The viewer opens up to the familiarity and friendliness of the recognizable. You relax around it because it is something that usually exists within your own home- or your granny’s. It is not elitist or arty farty, so you give it a chance.

I go a bit crochet crazy sometimes, sew happy not to mention obsessed about soft concertinas and deflated/inflating shapes. But I’ve got to control myself and remember that it is the role of craft as potent vehicle for concept rather than craft itself that is really exciting.  I know that there are other things that craft does too- I could go on about feminism, home making and motherhood. But today I’m going to revel in the people friendliness, the approachability and the craftiness of craft.

Monday, August 15, 2011

Wall Wool


A few words on Wall Wool
Wall Wool is a vibrant and densely collective artwork referencing optical illusions and traditional African American quilts. Quilt/ craft references need not be a cue for this work to be snobbishly dismissed. The history of each individual piece- generously supplied for this project, specifically shaped and hand stitched into an arcing whole- creates a depth and resonance that would not have been possible with any other medium.
Entirely hand sewn, Wall Wool is comprised of well over one thousand pieces of wool, derived from woollen garments collected over the course of the project.  Strictly limiting the use of materials to those that were donated placed the role of my community into a fundamentally important position. After the generous contributions of unwanted old woollies, a colour palette was established and construction began! Each woollen garment went through a process of felting and shaping, before being carefully snipped and hand stitched together. 
I made this artwork because I wanted to find out what it would take to impart an object/artwork with meaning. I hoped that the massive amount of energy put into the process of collection and construction would be somehow retained within the artwork when completed.
This has been an epic progression to my musings.  I hope you feel at least a little warmer- or welcome.

(Photos by James Boyce and Julia Boyd-Thankyou so very much!)



Monday, August 8, 2011

The Way You Make Me Feel Sometimes

The Way You make me Feel Sometimes, 2011. Wool.  Dimensions variable.
The Way You make me Feel Sometimes, 2011. Wool.  Dimensions variable. (In motion)
The Way You make me Feel Sometimes, 2011. Wool.  Dimensions variable. (Crush installation Shot)


Sunday, July 17, 2011

The Warmth That Was

Cosy and art clad, it was a family frenzy.
Enjoying toasty treats and terrific company, my first solo show turned out quite delightfully.
Thanks for stopping by to everyone who could make it!

 

Stay tuned for more photos shortly- in the mean time, you can find a few words on the show each by

Yolande Norris at Useless Lines -here

Also Annika Harding at her blog -Thewriteart -here

Saturday, July 2, 2011

Warmth and Welcome in wool

Wooooolies(detail from zine) 2011 Fiona Veikkanen

I can't wait to see you this Thursday night for wool based art and laughs.
6 pm at The Front Gallery and Cafe!